Using excerpts from Elgar's 'Pomp and Circumstance March No. 1', students identify aspects of the music that evoke feelings and discuss the use of music in rituals.
Classical Music Start-up kit CD 2 and CD player; an index card for each student; materials for brainstorming (chalkboard, large paper; etc.)
- Composer
- Sir Edward Elgar (ELL-gar)
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- Nationality
- English
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- Birth - Death
- 1857-1934
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- Excerpt
- 'Pomp and Circumstance March No.1'
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- Era
- Romantic / Nationalist
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- When George Frederic Handel arrived in London in 1710, England
enjoyed a reputation as a country with strong musical traditions
and talents. Handel adopted England and became one of its greatest
composers. But when he died in 1759, England's musical tradition
seemed to die with him, and it wasn't until the 1890's that
another great British composer emerged. Edward Elgar, the son of a
piano tuner, was a self-taught musician and composer who drew his
inspiration from the culture and landscapes of England. Because of
his precise musical vision, he rarely changed a score once he had
set it down on paper, and he was never surprised to hear how a
piece sounded when it was played for the first time. His music is
known for its passion and dignity and those are certainly
qualities that describe the Pomp and Circumstance Marches. 'March
No. 1' is by no means his finest work, but it is his most famous,
and it is the piece that made him a household name in England and
earned him a knighthood. Taking its title from a line in
Shakespeare's Othello the work was a favorite of King Edward VII,
and it became an alternative national anthem for England. Most
students will recognize this work, as it is now played during
graduation ceremonies all over the United States and around the
world.
Vocabulary
- pomp - procession, pageant, or, an ostentatious display
circumstance - ceremony or formalities
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- march - music with a strong beat and simple, repetitive
rhythmic pattern, composed to help keep troops or parades together
as they march.
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- climax - the point of greatest intensity or power in a
series of events, a story or a piece of music.
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Intended Learning Outcomes
Students will identify aspects of the music that evoke feelings and discuss the use of music in rituals.
Instructional Procedures
Websites
- A portrait of Elgar
This resource file contains an artist's depiction of Edward William Elgar to help students create a visual image of this great musician as they listen to some of his works.
- CMA Table of Contents
This file contains a complete overview of KUER's Classical Music Appreciation curriculum, which includes: grade level lessons, featured composers, instrument descriptions, a music history timeline along with many other related worksheets and visual aids.
- Introducing Elgar
This biographical sketch of a "nationalist era" organist and conductor introduces young students to the life and works of England's Edward William Elgar.
See CMA Table of Contents
See composer's profile and picture:
- Listen
- Play the piece (selection 8). After discussing how the music
made them feel, ask the students if they've ever heard the piece
before. If so, where? What do they associate it with? 'Pomp and
Circumstance March No. 1' is, of course, the music that is almost
universally used as processional music during graduation
ceremonies. Although Elgar did not write the piece for that
purpose, it has certain qualities that make it well-suited for the
graduation ritual. Help the students came up with a list of those
qualities. It might include: the steady, strong rhythm for
marching; the proud, military sound of the snare drums; the way
the French horns seem to announce the arrival of someone
important; an identifiable melody and a change of key that helps
the music build to a stirring climax. The students may also come
up with descriptive adjectives like strong, dignified, uplifting,
etc. One very simple reason it works so well is that it can easily
be repeated over and over again until all the graduates in a large
class have a chance to get across the stage or into the
auditorium!
- Activity
- Hold an 'accomplishment procession' in the classroom. Hand out
an index card to each student and have them write down their full
name and their proudest accomplishment. Gather the cards a row at
a time, keeping them in order Start the music, and if your CD
player has a 'repeat' button, use it, so that the music will
continue through the entire procession. Tell the students to stand
and walk to the front of the room when their name is called.
Announce the accomplishment as the student walks to the front of
the room and takes a bow before returning to his or her seat.
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- Close
- Have the class come up with a list of other ceremonies or
occasions in which music plays an important role. Some
possibilities might be 'Taps' at a funeral, the 'Wedding March,'
the 'National Anthem' at sports events, 'Hail to the Chief' at
Presidential appearances, 'Take Me Out to the Ball Game' during
the seventh-inning stretch, 'Happy Birthday,' 'Auld Lang Syne' on
New Year's Eve, etc. A recording of any of these pieces could be
played at this point, if available, or have the students sing or
hum some of the tunes they know well. Why do the students think we
play music at certain events? How does it change the event? Does
it make the event more memorable? Would the event be different
without the music? How or why?
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Extensions
Beyond
Related topics
- rituals, ceremonies and rites of passage (in the U.S. and
other countries)
- music and emotions
- Shakespeare's 'Othello'
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Extension Ideas
Ask students to write about an event they've experienced in which
music played an important Ideas role (sports event, church service,
wedding, bar or bat mitzvah, holiday parties, etc. ). Did the music
help them to remember the event? What emotions are stirred when they
hear that music again?
Every culture has its own collection of rituals and ceremonies.
Generate a list of ceremonies observed in the U.S. (weddings,
baptisms, funerals, etc.). Compare this list to a list of ceremonies
from another country or culture.
In America, high school graduation is not only a ceremony, but
also a rite of passage from childhood to adulthood. Are there other
rites of passage in our culture? In other cultures? What is the
purpose of these events?
As a homework assignment the day before the lesson, have the
students write down what they think 'pomp and circumstance' means.
Encourage them to use a dictionary and to ask their parents or
siblings for their thoughts. Before the lesson, discuss the homework
and attempt to come up with a classroom definition. Then, using Brush
up your Shakespeare talk about the origin of the expression and what
it meant to Othello. Has its meaning changed over time?
Additional Resources
Ingpen, Robert and Wilkinson, Philip. A Celebration of Customs
& Rituals of the World. Great Resources Britain: Dragon's
World Ltd., 1994.
Liptak, Karen. Coming-of-Age. Brookfield, Conn.: The
Millbrook Press, 1994.
Mayled, John. Initiation Rites. East Sussex, England:
Wayland Ltd.; 1986.
Macrone, Michael. Brush Up Your Shakespeare! New York:
Cader Books, 1990.
Pomp and Circumstance Marches London Philharmonic/Leonard
Slatkin RCA 09026-68087
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