Using excerpts from Chopin's 'Waltz in C Minor', students explore the waltz form and discuss how art and culture are shaped by historical events.
Classical Music Start-Up Kit CD 1 and CD player with timer; Space for students to move around; Instructions on how to waltz (W - 11)
- Composer
- Frederic Chopin
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- Nationality
- Polish French
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- Birth - Death
- 1810-1849
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- Excerpt
- Waltz in C Minor
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- Era
- Romantic
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- Frederic Chopin is one of the most beloved composers of music
for the modern piano. He exhibited great talent as a child and
developed impressive skil) and touch on what was then a fairly new
instrument. Before Chopin, no one had really pushed the piano to
its expressive limits. He used the highest and lowest notes (the
piano is capable of playing a wider range of notes than any other
instrument) and the effects of the foot pedals to their fullest
advantage. But he was a small and sickly man who contracted
tuberculosis in his mid-twenties, so he never had the strength to
perform loud, forceful pieces or in front of large audiences.
This piece was one of a number of works that Chopin created
that took advantage of the popularity of the waltz. It Was not
meant to be danced to, but was a variation on the waltz form that
he wrote for parlor performances.
Before class, listen to Chopin's Waltz in C Minor (selection
2) and practice counting out the waltz time. ONE, two, three, ONE,
two, three. You'll notice that at about 0:34, the pace picks up
considerably, and counting along becomes more difficult. You'll
also want to try doing the square waltz step (see diagram, W -11)
with the music so that you can demonstrate it for the
students.
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Vocabulary
- minuet - a slow, stately pattern dance, done in 3/4
time. The most popular social dance in aristocratic society from
the mid-I 7th century to the late 18th century
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- quadrille - a balloom dance with an elaborate set of
steps, danced by sets of 4, 6, or 8 couples.
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- pattern dance - a dance whose movements trace a
prescribed figure on the dance floor
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- 3/4 time - a musical meter in which each bar consists
of 3 quarter notes.
Intended Learning Outcomes
Students will explore the waltz form and discuss how art and culture are shaped by historical events.
Instructional Procedures
Websites
- A portrait of Chopin
This resource file contains an artist's depiction of Frederic Chopin to help students create a visual image of this great musician as they listen to some of his works.
- CMA Table of Contents
This file contains a complete overview of KUER's Classical Music Appreciation curriculum, which includes: grade level lessons, featured composers, instrument descriptions, a music history timeline along with many other related worksheets and visual aids.
- Introducing Chopin
This biographical sketch of a "romantic era" composer and pianist introduces young students to the life and works of Poland's Frederic Chopin.
- The Waltz
This resource file (worskheet 11) shows a simple diagram which gives the basic "waltz dance step". It also contains a short history of the "waltz" that helps students understand how art and culture are shaped by historical events.
See CMA Table of Contents
See composer's profile and picture:
- Activity
- Without telling them that they are about to learn a dance
step, have the students stand up next to their desks and, using
the instructional diagrams on W -11 as your guide, teach the
students the Square Waltz Step. Count the time for them
slowly--ONE, two, three, ONE, two, three--and have them practice
the steps, each time counting a little faster. Once they begin to
get the hang of it you may wish to pair the students up and have
them try doing the step face-to-face (one student will have to do
the steps backwards). If the students don't guess that they're
dancing a waltz, tell them that they're learning a basic version
of the most po~ular dance of all time.
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- Listen
- Now for a little fun. Play the first part (0:00 to 0:34) of
Chopin's waltz (selection 2) and have them try to dance to it
while you continue to count out the time. They'll have a difficult
time keeping up. Play that first section a few more times to let
them practice, either alone or with a partner. It's tough! And
this is the simplest kind of waltz there is! Just for a laugh, let
the music play beyond 0:34 and let them try to keep up.
After they've had their fun, have them sit down and, while the
piece plays in the background, tell the students about why Chopin
wrote this piece and about the history of the waltz (use the
description on the bottom of W -11). Be sure to emphasize how the
emergence of the dance parallelled the political and social
changes that came with the Industrial Revolution, and how the
waltz began as an indecent' lower-class distraction that became a
social necessity for the well-to-do.
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- Close
- Ask the students if anyone they know does the waltz or attends
fancy dance parties on a regular basis. Why not? Do they think it
would be fun to attend a ball, where they had to get dressed up,
learn complicated dance steps, and be on their best behavior? Why
or why not? Have the students come up with a list of dances
they're familiar with and have volunteers demonstrate the dances
for the class. How are these dances different from the waltz? Can
they come up with reasons for the differences?
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Extensions
Beyond
Related topics
- the Industrial Revolution
- social dance
- development of the piano
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Extension Ideas
Watch a video of ballroom dancing.
Obtain a recording of waltz music (like Strauss' 'Blue Danube')
and have the students try the waltz step to a piece that was written
for dance.
- Explore the history and development of the piano with the
students and then have them research and do a poster presentation
on the history of the instrument of their choice.
Study the Industrial Revolution and the effects it had on
society.
Additional Resources
Berger, Melvin. The World of Dance. New York: S.G. Phillips, Inc.
1978.
Finney, Shan. Dance. New York: Franklin Watts, 1983.
Anderson, David. The Piano Makers. New York: Pantheon Books,
1982.
Blocksma, Mary. The Marvelous Music Machine: a story of the piano.
Englewood Cliffs, New Jersey: Prentice-Hall, Inc., 1984.
Langley, Andrew. The Industrial Revolution. New York: Viking,
1994.
Clare, John F., ed. hidustnal Revolittion. San Diego: Gulliver
Books, 1994.
Ballroom Dance Class. Alan Meyers & Associates, 1985. (video
cassette)
Chopin: 17 Valses Jean-Marc Luisada Deutsche Grammophon 431
779-2
Strauss: On the Beautiful Blue Danube Alexander Schneider Quintet
CBS Records MK 44522
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